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Second Nature: Pierre Auguste Renoir
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1993-11-12
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Renoir used friends, relatives and cleaning girls as models. Unless the painting was a portrait, he felt no need to capture a likeness, but rather strived for the ideal woman, with his own fixed ideas about proportions and skin texture.
On The Terrace 1881
Pierre August Renoir, 1841-1919, French
The Art Institute of Chicago